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Touch console
Part of the Touch collection of furniture and accessories, this high wooden table has a textured, hand-carved surface which invites tactility and touch.
Designed by Studioilse for Zanat, the Touch console celebrates the timelessness of crafted objects. It offers a physicality that can experienced through touch, which remains an important attribute in our increasingly digital age.
Designed by Studioilse for Zanat, the Touch console celebrates the timelessness of crafted objects. It offers a physicality that can experienced through touch, which remains an important attribute in our increasingly digital age.
The woodcarving technique practiced by Zanat has been inscribed on the UNESCO Ā Intangible Cultural Heritage of Humanity List on December 6, 2017.Ā
- W 160 Ā D 40 Ā H 75 cm///
Individually crafted in Bosnia Herzegovina, using Zanatās time-honoured wood carving techniques. Ā The designs on the table take two man-days to carve, and each is unique, no two surfaces will ever look the same.
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Original: $2,745.45
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Description
Part of the Touch collection of furniture and accessories, this high wooden table has a textured, hand-carved surface which invites tactility and touch.
Designed by Studioilse for Zanat, the Touch console celebrates the timelessness of crafted objects. It offers a physicality that can experienced through touch, which remains an important attribute in our increasingly digital age.
Designed by Studioilse for Zanat, the Touch console celebrates the timelessness of crafted objects. It offers a physicality that can experienced through touch, which remains an important attribute in our increasingly digital age.
The woodcarving technique practiced by Zanat has been inscribed on the UNESCO Ā Intangible Cultural Heritage of Humanity List on December 6, 2017.Ā
- W 160 Ā D 40 Ā H 75 cm///
Individually crafted in Bosnia Herzegovina, using Zanatās time-honoured wood carving techniques. Ā The designs on the table take two man-days to carve, and each is unique, no two surfaces will ever look the same.
